Simultaneous Past and Present in The Sea

Authors

  • Lianghui Li Nanyang Technological University, Singapore

DOI:

https://doi.org/10.37389/abei.v22i1.3459

Keywords:

Simultaneous Past and Present, Tense Switching, Alternative space, Act of narration

Abstract

Time is complex in Banville’s novels in that they constantly feature tense switching, chronological confusion, and characters who are always casting a look back to the past for an escape from the present. In The Sea, Banville’s experimentation with tenses reflects his conception of time, particularly, the complex relationship between past and present. Part one of this article, focusing on Max’s childhood memory, examines how the blurring of the past and present selves, resulting from frequent tense switching and the notable use of the historical present, destabilizes the temporal gap between the narrator and the narrated within retrospective narration. Part two, concerning Max’s present, proposes to compare the portrayal of the present-day Cedars in the two parts of the novel, and proves the present to be elusive since Max’s experience is not contemporaneous with the time of narration. Drawing on Max’s various experiences of an alternative space, part three proceeds to argue that Max’s entire act of narration constructs a similar alternative space where past and present are engendered simultaneously. The dubious existence of the self in this alternative space suggests a defiance against the deictic center as I- herenow.

Author Biography

  • Lianghui Li, Nanyang Technological University, Singapore
    Lianghui LI is a Ph.D. student at Nanyang Technological University, Singapore. Her research interest lies in modern and contemporary Irish novels. Her ongoing Ph.D. thesis examines anti-realism and time in novels of Samuel Beckett, John Banville, Sara Baume, Deirdre Madden, and Mike McCormack.

References

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---. The Sea. Picador, 2005.

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Cohn, Dorrit. The Distinction of Fiction. Johns Hopkins UP, 1999.

---. Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction. Princeton UP, 1978.

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Hand, Derek. A History of the Irish Novel. Cambridge UP, 2011.

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Huber, Irmtraud. Present-Tense Narration in Contemporary Fiction: A Narratological Overview. Palgrave Macmillan, 2016.

Imhof, Rüdiger. “The Sea: ‘Was’t Well Done?’.” Irish University Review, vol. 36, no. 1, 2006, pp. 165-81.

Izarra, Laura P. Z. “Review of the Sea by John Banville.” Estudios Irelandeses, no. 1, 2006, pp. 142-7.

McCarthy, Karen. “A Fool’s Errand: Blanchot, Mourning and the Sea.” John Banville and His Precursors, edited by Pietra Palazzolo, Michael Springer and Stephen Butler, Bloomsbury Academic, 2019, pp. 165-76.

Murphy, Neil. John Banville. Bucknell UP, 2018.

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Published

2021-02-20

How to Cite

Li, L. (2021). Simultaneous Past and Present in The Sea. ABEI Journal, 22(1), 97-107. https://doi.org/10.37389/abei.v22i1.3459