• Editorial

  Maria Immacolata Vassallo de Lopes, Richard Romancini, Sandra Reimão, Paulo Nassar

  7-10

  • PDF (Português (Brasil))
  • PDF

Dossier

• Is television capable of informing?

  Patrick Charaudeau

  13-23

  • PDF (Português (Brasil))
• Historical omission and psychic repression in Paul Thomas Anderson’s Boogie Nights

  Tania Modleski

  25-44

  • PDF (Português (Brasil))
• Telenovelas and the issue of classed femininity

  Veneza Mayora Ronsini

  45-60

  • PDF (Português (Brasil))
  • PDF
• The other Pandora’s box

  Lucrécia D' Alessio Ferrara

  61-74

  • PDF (Português (Brasil))
  • PDF
• The ethics of mediation: aspects of media criticism in Roger Silverstone’s works

  Marcio Serelle

  75-90

  • PDF (Português (Brasil))
  • PDF

Interview

• Laura Robinson: a Brazilianist communication scholar from abroad

  Monica Martinez

  93-112

  • PDF (Português (Brasil))
  • PDF

Em Pauta/Agenda

• Harun Farocki: media operator

  Ednei de Genaro

  115-134

  • PDF (Português (Brasil))
  • PDF
• Adaptation, disruption, and regulation in media dispositifs

  Jairo Ferreira

  135-153

  • PDF (Português (Brasil))
  • PDF
• The Brazilian Journalism and the mediations of the production of O segredo da pirâmide

  Felipe Simão Pontes

  155-173

  • PDF (Português (Brasil))
  • PDF
• A question of method: notes on sound and music analysis in films

  Rodrigo Carreiro, Luíza Alvim

  175-193

  • PDF (Português (Brasil))
  • PDF

Book reviews

• The fragmented body of contemporary cinema

  Elenildes Dantas

  197-201

  • PDF (Português (Brasil))
  • PDF
• Social network analysis: a guide to theoretical and practical initiation

  Ana Lúcia Nunes de Sousa

  203-206

  • PDF (Português (Brasil))
  • PDF