From Playboys to Disco Pigs: Irish Identities on a World Stage

Authors

  • Linda Gunn Edinburgh Napier University

DOI:

https://doi.org/10.37389/abei.v11i0.3645

Keywords:

Ireland, Identity, Theatre.

Abstract

This article examines the subject of Irish identity in contemporary Irish theatre productions, focusing a selection of plays showcased to a world
audience through receiving their UK premieres at the Traverse Theatre
Edinburgh during Edinburgh Fringe Festivals over the last ten years. It considers several issues around the theme of whether Irish identity is a concern in contemporary Irish theatre and, if so, why and in what ways has it been used. This is carried out by examining productions which address Irish identity directly, productions which address it indirectly and some which, apparently, do not appear to be concerned with it at all, using the latter category to discuss the question of influenced readings and interpretations.

Author Biography

  • Linda Gunn, Edinburgh Napier University

    GUNN, Linda is a researcher at the Scottish Centre for the Book, Edinburgh Napier University, Edinburgh, Scotland. She has worked on the project Scottish Literary Magazines and Devolution 1979-1999 and currently works on the “Inventory of Intangible Cultural Heritage in Scotland” (after a UNESCO 2003 Convention). Her PhD from Edinburgh University examined the relationship between representations of Scottish identity, and political confidence towards the 1997 referendum. Interests and teaching: Scottish politics and culture, focusing on the arts (particularly writers and theatre); Scottish working-class identity; the transition from “Page to Stage” in theatre.

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Published

2009-06-17

Issue

Vol. 11 (2009): ABEI Journal 11

Section

Theatre

How to Cite

Gunn, L. (2009). From Playboys to Disco Pigs: Irish Identities on a World Stage. ABEI Journal, 11, 27-38. https://doi.org/10.37389/abei.v11i0.3645