A economia cultural do patrimônio da música popular

Autores

DOI:

https://doi.org/10.11606/issn.2238-7714.no.2021.192818

Palavras-chave:

Patrimônio, Música popular, Economia da cultura, Valor

Resumo

Quais são o significado, a significância e a função da herança da música popular, um campo de práticas que passou por considerável expansão desde a virada do século? Este artigo situa tal eflorescência no contexto de uma maior democratização do patrimônio, memória, arquivo e da história ao examinar a singularidade desse campo por meio das lentes da economia da cultura. A partir de evidências oriundas de uma variedade de exemplos contemporâneos, discute-se como os valores culturais e econômicos são produzidos através de práticas políticas, das instituições culturais, das comunidades interessadas e da indústria musical. As atividades de preservação, performance e promoção do patrimônio musical popular o cristalizam como um conceito que possibilita uma forma particular de conhecer o passado. Enquanto essa herança pode expressar um impulso democrático, a reprodução das hierarquias e desigualdades na cultura da música popular podem ser percebidas como um espaço contínuo de negociações de significados.

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Biografia do Autor

  • Paul Long, Monash University

    Diretor do Mestrado em Indústrias Criativas e Culturais da Monash University, Professor de Indústrias Criativas e Culturais, Comunicação e Estudos Midiáticos. Doutor em História Social, University of Warwick. Mestre em Ciências Sociais – Estudos Culturais, University of Birmingham

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2021-11-24

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A economia cultural do patrimônio da música popular. (2021). Novos Olhares, 10(2), 11-32. https://doi.org/10.11606/issn.2238-7714.no.2021.192818