Recycled Images: the Art and Politics of Found Footage Films

Autores

  • William C. Wees McGill University

DOI:

https://doi.org/10.11606/issn.2316-4077.v4i7p52-63

Resumo

Whatever the filmmaker may do to them — including nothing more than reproduce them exactly as he or she found them — recycled images call attention to themselves as images, as products of the image-producing industries of film and television, and therefore as pieces of the vast and intricate mosaic of information, entertainment, and persuasion that constitute the media-saturated environment of modern — or many would say, postmodern — life. By reminding us that we are seeing images produced and disseminated by the media, found footage films open the door to a critical examination of the methods and motives underlying the media's use of images.

Biografia do Autor

William C. Wees, McGill University

Emeritus Professor at McGill University where he taught literature, film, and cultural studies courses for many years. In addition to numerous articles and reviews, he is the author of Vorticism and the English Avant-GardeLight Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film, and Recycled Images: The Art and Politics of Found Footage Film.

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Publicado

2021-05-18