A transformação do corpo bélico na tela em Macbeth de Justin Kurzel

Autores

  • Ketlyn Mara Rosa Universidade Federal de Santa Catarina

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2020.157227

Palavras-chave:

War body, Cinema, Shakespeare, Macbeth, Violence

Resumo

este artigo discute como a adaptação de Macbeth (2015), do diretor Justin Kurzel está imersa no contexto social e político do século XXI em que as guerras do Afeganistão e Iraque reverberam no estado físico e psicológico do soldado. No filme, o corpo bélico carrega cicatrizes das múltiplas experiências violentas de batalha e emerge como um indivíduo danificado, aquele que visceralmente carrega o passado traumático para seu presente. Eu analiso como o corpo bélico de Macbeth passa por uma jornada de ruína, transformando-se de líder das massas em um tirano solitário preso em suas raízes de violentas experiências do passado em um contexto de mutilação do corpo e morte.

Downloads

Não há dados estatísticos.

Biografia do Autor

Ketlyn Mara Rosa, Universidade Federal de Santa Catarina

Bachelor degree in Letters - English - Language and Literature from the Universidade Federal de Santa Catarina (2006). She participated in the exchange program of Coordenação de Aperfeiçoamento de Pessoal de Nível Superior/Fund for the Improvement of Post Secondary Education (Capes/Fipse) to Wayne State University (2003), where she came into contact with cinematographic studies. She has a master’s degree in Letters from the Graduate Studies in English: Literary Studies at the Universidade Federal de Santa Catarina (2015). In 2019, she completed her doctorate in Literature in the area of Literary and Cultural Studies in Graduate Studies in English at the Universidade Federal de Santa Catarina. She had her Capes sandwich doctorate stay at the University of St. Andrews (2017) under the guidance of Professor Robert Burgoyne.

Referências

BLOOM, H. Shakespeare: the invention of the human. New York: Riverhead Books, 1998.

BORDWELL, D; THOMPSON, K. Film art: an introduction. New York: McGraw Hill, 2008.

BURNETT, M. T.; WRAY, R. “Introduction”. In: BURNETT, M. T.; WRAY, R. (ed.). Screening Shakespeare in the twenty-first century. Edinburgh: Edinburgh University Press, 2006, p. 1-12.

CALDERWOOD, J. L. Shakespeare and the denial of death. Amherst: University of Massachusetts Press, 1987.

CLARK, S.; MASON, P. “Introduction”. In: CLARK, S.; MASON, P. (ed.). Macbeth. London: Bloomsbury, 2018, p. 1-124. (The Arden Shakespeare).

DAVIES, A. Filming Shakespeare’s plays: the adaptations of Laurence Olivier, Orson Welles, Peter Brooke and Akira Kurosawa. Cambridge: Cambridge University Press, 1990.

GLASMAN, A. “Making Macbeth: behind the scene”. VFX Magazine, Oct. 6, 2015. Available from: http://bit.ly/3eUbWy9. Access on: May 10, 2018.

HAGELIN, S. “Bleeding bodies and post-cold war politics: Saving Private Ryan and the gender of vulnerability”. In: RANDELL, K; REDMOND, S. (org.). The war body on screen. New York: Continuum, 2008, p. 102-119.

JACKSON, R. “Introduction: Shakespeare, films and the marketplace”. In: JACKSON, R. (ed.). The Cambridge companion to Shakespeare on film. Cambridge: Cambridge University Press, 2000, p. 1-12.

JORGENS, J. J. Shakespeare on film. London: Indiana University Press, 1977.

JUNGER, S. “How PTSD became a problem far beyond the battlefield”. Vanity Fair, May 7, 2015. Available from: http://bit.ly/3cAWyoM. Access on: May 17, 2018.

MATTES, A. “Justin Kurzel’s Macbeth: visually magnificent but dramatically unsatisfying”. The Conversation, Sept. 29, 2015. Available from: http://bit.ly/2BDhwGX. Access on: May 15, 2018.

MELBYE, D. Landscape allegory in cinema: from wilderness to wasteland. New York: Palgrave Macmillan, 2010.

PARIS, C. The what and how of PTSD: understanding and moving beyond. Victoria: Friesen Press, 2016.

PARKER, A. “They came back: war and changing national identity”. In: RANDELL, K; REDMOND, S. (org.). The war body on screen. New York: Continuum, 2008, p. 86-101.

RANDELL, K.; REDMOND, S. “Introduction: setting the screen”. In: RANDELL, K; REDMOND, S. (org.). The war body on screen. New York: Continuum, 2008, p. 1-13.

WAGNER, M. “A king(dom) for a stage: the war body in and as performance”. In: RANDELL, K; REDMOND, S. (org.). The war body on screen. New York: Continuum, 2008, p. 50-63.

Audiovisual references

MACBETH. Justin Kurzel, United Kingdom: Studio Canal, 2015.

MACBETH – conference – (en) Cannes 2015. Channel: Festival de Cannes (Officiel). Available from: http://bit.ly/2Y3wIVk. Access on: May 18, 2018.

Publicado

2020-07-08

Como Citar

Rosa, K. M. (2020). A transformação do corpo bélico na tela em Macbeth de Justin Kurzel. Significação: Revista De Cultura Audiovisual, 47(54), 62-82. https://doi.org/10.11606/issn.2316-7114.sig.2020.157227