La sigilosa sonoridad de un texto plastico: Frida Kahlo en el cine y en su pintura

Authors

  • Eduardo Penuela Canizal Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2003.159043

Keywords:

poetics, image, plastic expression, cinema, culture and semiotics

Abstract

Considering that Frida, film directed by Julie Taymor, does not investigate the mythical dimension of painting, this paper explores some aspects ofAmerindian writing in a self-portrait ofFrida Kahlo, specifically the role of a rebus used by the Mexican painter to express her relationship to the mythical goddess Xochiquetzal, patroness of weavers and the art practiced by women.

Downloads

Download data is not yet available.

Downloads

Published

2003-12-23

Issue

Vol. 30 No. 20 (2003)

Section

Articles

License

Copyright (c) 2003 Eduardo Penuela Canizal

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal must agree with the following terms:

  1. Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
  2. Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.

How to Cite

La sigilosa sonoridad de un texto plastico: Frida Kahlo en el cine y en su pintura. (2003). Significação: Journal of Audiovisual Culture, 30(20), 27-64. https://doi.org/10.11606/issn.2316-7114.sig.2003.159043