"O amor por": modos de engajamento e trabalho do self
DOI:
https://doi.org/10.1590/S0103-20702014000100012Resumo
Os sociólogos têm abordado o modo como a participação no mundo da alta cultura relaciona-se com estratégias de ascensão social ou com esforços para solidificar ligações entre os que partilham círculos de afiliação diversos. Nessa perspectiva, o consumo de alta cultura subordina-se a séries mais abrangentes de fenômenos sociais e apresenta-se como recurso a ser trocado ou convertido num diferente tipo de capital - seja simbólico, social ou econômico. Neste artigo, baseado em pesquisa intensiva de campo e de arquivo a respeito dos fanáticos por ópera em Buenos Aires, ao invés de atentar para a relação entre afiliação social e inclinações estéticas, visei as práticas culturais como formas de afiliação social em si mesmas. Tomando a metáfora do "amor por" literalmente, usei-a como suporte para produzir uma tipologia das práticas de ligação, explicando como cada um dos tipos pode ser atribuído a um modo específico de trabalho sobre o self produzido a partir do "amor por" algo.
Downloads
Referências
Abel, Sam. (1996), Opera in the flesh. Boulder, co/Oxford, Westview Press.
Adams, Rebecca. (1998), “Inciting sociological thought by studying the deadhead community: engaging publics in dialogue”. Social Forces, 77 (1): 1-25.
Adorno, Theodor W. (1962), Introduction to the sociology of music. Nova York, Sage.
. (1981), In search of Wagner. Nova York, Seabury Press.
. (1985), “On the fetish character in music and the regression of listening”.
In: Arato, Andrew & Gebhardt, Eike (orgs.). The essential Frankfurt reader. Nova York, Continuum.
. (1992), Quasi una fantasia. Londres/Nova York, Verso.
. (1994), “Bourgeois opera”. In: Levin, David J. (org.). Opera through other eyes. Stanford, Stanford University Press.
Adorno, Theodor W. & Horkheimer, Max. (1972), Dialectic of enlightment. Nova York, Continuum.
Anand, N. (2000), “Defocalizing the organization: Richard A. Peterson’s sociology of organizations”. Poetics, 28 (2-3):173-184.
Archetti, Eduardo. (1992), “Argentinean football: a ritual of violence?”. The International Journal of the History of Sport, 9 (2): 209-235.
. (2000), Masculinities: football, polo and the tango in Argentina. Londres, Berg.
. (2003), El potrero, la pista y el ring: las patrias del deporte argentino. Buenos Aires, Fondo de Cultura Económica.
Arian, Edward. (1972), Bach, Beethoven and bureaucracy: the case of the Philadelphia Orchestra. Tuscaloosa, al, University of Alabama Press.
Atkinson, Max. (2006), Everyday arias: an operatic ethnography. Londres, AltaMira Press.
Becker, Howard. (1963),Outsiders. Nova York, The Free Press.
. (1982), Art worlds. Berkeley, University of California Press.
Benjamin, Jessica. (1988), The bonds of love: psychoanalysis, feminism and the problem of domination. Nova York, Pantheon.
Benzecry, Claudio E. (2007), “Beauty at the gallery: sentimental education and operatic community in contemporary Buenos Aires”. In: Calhoun, Craig & Sennett, Richard (orgs.). Practicing culture. Londres, Routledge.
Borer, Michael. (2008), Faithful to feinway. Nova York, nyu Press.
Bourdieu, Pierre. (1984), Distinction. Cambridge, Harvard University Press.
. (1998), State nobility. Londres, Polity Press.
Bryson, Bethany. (1996), “Anything but heavy metal: symbolic exclusion and musical dislikes”. American Sociological Review, 61: 884-899.
. (1997), “What about univores? Musical dislikes and group-based identity construction among Americans with low levels of education”. Poetics, 25 (2-3):141-156.
Buford, Bill. (1990), Among the thugs. Londres, Trafalgar Square.
Bull, Michael. (2001), Sounding out the city. Londres, Berg.
. (2004), “Thinking about sound, proximity and distance in western experience: the case of Odysseus’s walkman”. In: Erlmann, Veit (org.). Hearing cultures: essays on sound, listening and modernity. Londres, Berg.
Burucua, José Emilio. (2002), Corderos y elefantes. Buenos Aires, Buenos Aires University Press.
Calhoun, Craig. (2007), “Foreword”. In: Johnson, Victoria; Fulcher, Jane & Ertman, Thomas (orgs.). Opera and society in Italy and France from Monteverdi to Bourdieu. Cambridge, Cambridge University Press.
Clement, Catherine. (1999), Opera or the undoing of woman. Minneapolis, mn, Minnesota University Press.
Crane, Diana. (1987), The transformation of the avant garde. Chicago, University of Chicago Press.
. (1992), “High culture versus popular culture revisited”. In: Lamont, Michèle & Fournieur, Marcel (orgs.). Cultivating differences: symbolic boundaries and the making of inequality. Chicago, University of Chicago Press.
. (1997), “Globalization, organizational size and innovation in the French luxury fashion industry: production of culture theory revisited”. Poetics, 25 (6): 393-414.
DaMatta, Roberto. (1992), Carnivals, rogues and heroes. Notre Dame, Notre Dame University Press.
DeNora, Tia. (2000), Music in everyday life. Nova York/Londres, Cambridge University Press.
. (2002), “Music into action: performing gender in Viennese concert stage, 1790-1810”. Poetics, 30 (1-2): 19-33.
. (2003), After Adorno. Nova York/Londres, Cambridge University Press.
DiMaggio, Paul. (1982a),“Cultural entrepeneurship in ninneteenth century Boston”. Media, Culture and Society, 4 (1), 33-50.
. (1982b), “Cultural entrepeneurship in ninneteenth century Boston”. Media, Culture and Society, 4 (2): 303-322.
. (1987), “Classification in art”. American Sociological Review, 52: 440-455.
. (1992), “Cultural boundaries and structural change: the extensión of the high culture model to theater, opera and the dance, 1900-1940”. In: Lamont, Michele & Fournieur, Marcel (orgs.). Cultivating differences. Chicago, University of Chicago Press.
Douglas, Mary & Isherwood, Baron. (1979), The world of goods: toward an anthropology of consumption. Nova York, Books Basic.
Dowd, Timothy. (2004), “Concentration and diversity revisited: production logics and the U.S. mainstream recording market, 1940 to 1990”. Social Forces, 82 (4):1411-1455.
Dowd, Timothy, Liddle, Kathleen, Lupo, Kim & Borden, Anne. (2002), “Organizing the musical canon: the repertoires of major U.S. symphony orchestras, 1842 to 1969”. Poetics: Journal of Empirical Research on Culture, Media, and the Arts 30, (1-2): 35-61.
Durkheim, Emile. (1965), The elementary forms of religious life. Nova York, Free Press.
Durkheim, Emile & Mauss, Marcel. (1963), Primitive classification. Chicago, University of Chicago Press.
Echevarría, Néstor. (1979), El arte lírico en la Argentina. Buenos Aires, Imprima.
Elias, Norbert. (1978), The civilizing process. Londres, Blackwell.
. (1983), The court society. Londres, Blackwell.
Elias, Norbert & Dunning, Eric. (1986), Quest for excitement, sport and leisure in the civilizing process. Londres, Blackwell.
Evans, David T. (2005), “Speaking over and above the plot, aural fixation, scopophillia, opera and the gay sensibility”. Theory, Culture and Society, 22 (2): 99-119.
Featherstone, Mike. (1992), “The heroic life and everyday life”. Theory Culture and Society, 9: 159-182.
Fine, Gary. (1992), “The culture of production: aesthetic choices and constraints in culinary work”. American Journal of Sociology, 97: 1268-1294.
. (1998), Morel tales, the culture of mushrooming. Cambridge, Harvard University Press.
Fonarow, Wendy. (2006), Empire of dirt: the aesthetics and rituals of British indie music. Middlebury, ct, Wesleyan University Press.
Foucault, Michel. (1972), The archaeology of knowledge. Nova York, Pantheon.
. (1978), The history of sexuality. Vol. 1: An introduction. Nova York, Pantheon.
. (1979), Discipline and punish. Nova York, Vintage Books.
Freud, Sigmund. (2003), Beyond the pleasure principle. 1ª edição 1920. Nova York, Penguin.
. (2005), Civilization and its discontents. 1ª edição 1930. Nova York, W. W. Norton & Company.
. (1959), Group psychology and the analysis of the ego. Nova York, W. W. Norton & Company.
Gans, Herbert. (1974), High culture and popular culture: an analysis and evaluation of taste. Nova York, Basic Books.
Garriga, José. (2007), Haciendo amigos a las piñas: violencia y redes sociales de una hinchada del fútbol. Buenos Aires, Prometeo.
Geertz, Clifford. (1973), The interpretation of cultures. Nova York, Basic Books.
. (1983), Local knowledge: further essays in interpretive anthropology. Nova York,Basic Books.
Giddens, Anthony. (1992), The transformation of intimacy. Stanford, Stanford University Press.
Gilroy, Paul. (1993), The black atlantic: modernity and double consciousness. Cambridge, Harvard University Press.
Goode, William J. (1959), “The theoretical importance of love”. American Sociological Review, 24 (1): 38-47.
Grazian, David. (2003), Blue Chicago, the search for authenticity in urban blues clubs. Chicago, University of Chicago Press.
Gross, Neil. (2003), “Richard Rorty’s pragmatism: a case study in the sociology of ideas”. Theory & Society, 32: 93-148.
. (2008), Richard Rorty: the making of an American philosopher Chicago, University of Chicago Press.
Harper, Doug. (1987), Working knowledge. Chicago, University of Chicago Press.
Hebdige, Dick. (1979), Subculture: the meaning of style. Nova York, Methuen.
Heimer, Carol & Stinchcombe, Arthur. (1980), “Love and irrationality, it’s got to be rational to love you because it makes me so happy”. Social Science Information, 19 (4-5): 697-754.
Hennion, Antoine. (1993), La passion musicale. Paris, Metaille.
. (1997), “Baroque and rock: music, mediators and musical taste”. Poetics, 24 (6): 415-435.
. (2001), “Music lovers: taste as performance”. Theory, Culture and Society, 18 (5): 1-22.
. (2007), “The things that hold us together: taste and sociology”. Cultural Sociology, 1 (1): 97-114.
Hennion, Antoine & Fauquet, Joël-Marie. (2001), “Authority as performance: the love of Bach in nineteenth-century France”. Poetics, 29 (1): 75-88.
Hennion, Antoine & Gomart, Emilie. (1999), “A sociology of attachment: music amateurs, drug users”. In: Law, John & Hassard, John (orgs.). Actor Network Theory and After. Oxford, Blackwell.
Hennion, Antoine; Maisonneuve, Sophie & Gomart, Emilie. (2000), Figures de l’amateur. Paris, La Documentation Française.
Hirsch, Paul. (1972), “Processing fads and fashions”. American Journal of Sociology, 77 (4): 639-659.
. (2000), “Cultural industries revisited”. Organization Science, 11 (3): 356-361.
Hodge, Julius. (1979), “The construction of the teatro Colón”. The Americas, 36 (2): 235-255.
Hutcheon, Linda & Hutcheon, Michael. (2000), Bodily charm: living opera. Lincoln, ne, University of Nebraska Press.
Illouz, Eva. (2007), Cold Intimacies: the making of emotional capitalism. Londres, Polity Press.
Jay, Martin. (2005), Songs of experience. Berkeley, ca, University of California Press.
Jarratt, Kent. (1999), “Opera on the couch: a psychotherapist listens to opera”. Opera News, 64 (3): 1-5.
Jindra, Michael. (1994), “Star Trek fandom as a religious phenomenon”. Sociology of Religion, 55 (1), 27-51.
Joas, Hans. (2000), The genesis of values. Chicago, University of Chicago Press.
. (2007), Do we need religion? On the experience of self-transcendence. Boulder, co, Paradigm Publishers.
Johnson, James. (1988), Listening in Paris. Berkeley, ca, University of California Press.
Katz, Jack. (1988), Seductions of crime. Nova York, Basic Books.
Kaufman, Jason. (2004), “Endogenous explanation in the sociology of culture”.. Annual Review of Sociology, 30: 335-357.
Kilgannion, Corey. (2008), “Cameras show if surf is good, but surfers are getting in way”. The New York Times, jan. 27.
Klosterman, Chuck. (2005), Killing yourself to live: 85% of a true story. Nova York, Scribner.
Koestenbaum, Wayne. (1993), The queen’s throat, opera, homosexuality and the mystery of desire. Nova York, Poseidon Press.
Laclau, Ernesto. (1991), New reflections on the revolution of our time. Londres, Verso.
Lakoff, Andrew. (2006), Pharmaceutical reason. Nova York, Cambridge University Press.
Lamont, Michéle. (2000), The dignity of working men: morality and the boundaries of race, class, and immigration. Cambridge, Harvard University Press.
Lamont, Michéle & Fournieur, Marcel (orgs.). (1992), Cultivating differences: symbolic boundaries and the making of inequality. Chicago, University of Chicago Press.
Lamont, Michèle & Lareau, Annette. (1988), “Cultural capital: allusions, gaps and glissandos in recent theoretical developments”. Sociological Theory, 6 (2): 153-168.
Latour, Bruno. (2005), Reassembling the social, an introduction to actor-network-theory. Nova York, Oxford University Press.
Lena, Jennifer. (2004), “Meaning and membership: samples in rap music, 1979 to 1995”. Poetics, 32 (3-4): 297-310.
Levine, David. (1997), “Social theory as a vocation, engaging with future challenges”. Perspectives, 19 (2): 1-8.
Levine, Lawrence. (1988), Highbrow and lowbrow. Cambridge, Harvard University Press.
Lindholm, Charles. (1988), “Lovers and leaders: an analysis of psychological and sociological models of charisma”. Social Science Information, 27 (1): 13-45.
. (1998), “Love and structure”. Theory, Culture & Society, 15 (3), 243-263.
Lizardo, Omar. (2006), “How cultural tastes shape personal networks”. American Sociological Review, 71 (5): 778-807.
Lopes, Paul. (1992), “Innovation and diversity in the popular music industry, 1969-1990”. American Sociological Review, 56 (1): 56-71.
. (2002), The rise of a jazz art world. Cambridge, Cambridge University Press.
. (2006), “Culture and stigma: popular culture and the case of the comic book”. Sociological Forum, 21 (3): 387-414.
Lukatis, Ingrid. (1989), “Church meeting and pilgrimage in germany”. Social Compass, 36 (2): 201-218.
Marcuse, Herbert. (1955), Eros and civilization. Boston, Beacon Press.
Marsalis, Wynton. (1988), “Music: what jazz is – and isn’t”. The New York Times, jul. 31.
Mark, Noah. (1998), “Birds of a feather sing together”. Social Forces, 77: 453-485.
Marx, Karl. (1978), The German ideology. 1ª edição 1846. In: Tucker, Robert C. (org.). The Marx-Engels Reader. Nova York, Norton.
Matamoro, Blas. (1972), El Teatro Colón. Buenos Aires, Ceal.
Mauss, Marcel. (1990). The gift. 1ª edição 1950. Nova York/Londres, Norton.
McCormick, Lisa. (2007), “A musical public”. Unpublished manuscript.
Molotch, Harvey. (2003), Where does stuff comes from. Nova York, Routledge.
Monjeau, Federico. (1999), “El siglo del tango”. In: Altamirano, Carlos (org.). Argentina en el siglo xx. Buenos Aires, Ariel.
O’Connor, Erin. (2005), “Embodied knowledge: the experience of meaning and the struggle towards proficiency in glassblowing”. Ethnography, 6 (2): 183-204.
Osterrieth, Anne. (1989), “Medieval pilgrimage, society and individual quest”. Social Compass, 36 (2): 145-157.
Pace, Enzo. (1989), “Pilgrimage as spiritual journey”. Social Compass, 36 (2): 229-244.
Pasolini, Ricardo. (1999), “La opera y el circo en el Buenos Aires de fin de siglo: consumos teatrales y lenguajes sociales”. In: Devoto, Fernando & Madero, Marta (orgs.). Historia de la vida privada en la Argentina. Tomo ii: La Argentina plural: 1870-1930. Buenos Aires, Taurus.
Perlman, Marc. (2004), “Golden ears and meter readers, the contest for epistemic authority in audiophilia”. Social Studies of Science, 34 (5): 783-807.
Peterson, Richard A. (1997), Creating country music: fabricating authenticity. Chicago, University of Chicago Press.
Peterson, Richard A. & Anand, N. (2004), “The production of culture perspective”. Annual Review of Sociology, 30: 311-334.
Peterson, Richard A. & Berger, David G. (1975), “Cycles in symbol production”. American Sociological Review, 40: 158-173.
. (1996), “Measuring industry concentration, diversity and innovation in popular music”. American Sociological Review, 61 (1): 175-178.
Peterson, Richard A. & Kern, Roger. (1996), “Changing higbrow taste, from snob to omnivore”. American Sociological Review, 61: 900-907.
Peterson, Richard A. & Simkus, Albert. (1992), “How musical tastes mark occupational status groups”. In: Lamont, Michele & Fournieur, Marcel (orgs.).
Cultivating differences. Chicago, University of Chicago Press.
Plattner, Stuart. (1996), High art down home. Chicago, University of Chicago Press.
Plotkin, Mariano Ben. (2001), Freud in the Pampas: the emergence and development of a psychoanalytic culture in Argentina. Stanford, Stanford University Press.
. (2003), Argentina on the couch, psychiatry, State and society: 1880 to the present.
Albuquerque, nm, University of New Mexico Press.
Poizat, Michel. (1992), The angel’s cry: beyond the pleasure principle in opera. Ithaca, ny/Londres, Cornell University Press.
Pollini, Margarita. (2002), Palco, cazuela y paraiso. Buenos Aires, Sudamericana.
Robinson, Paul. (2002), Opera, sex, and other vital matters. Chicago, University of Chicago Press.
Rosselli, John. (1984), The opera industry in Italy from Cimarosa to Verdi. Nova York, Cambridge University Press.
. (1990), “The opera business and the Italian immigrant community in Latin America, 1820-1930”. Past and Present, 127: 155-182.
Rossman, Gabriel. (2004), “Elites, masses, and media blacklists: the Dixie Chicks controversy”. Social Forces, 83 (1): 61-78.
Rotella, Carlo. (2002), Good with their hands: boxers, bluesmen and other characters from the Rust Belt. Berkeley, University of California Press.
Sanguinetti, Horacio. (2002), Opera y sociedad en argentina. Buenos Aires, Gaglianone.
Schimmel, Kimberly S., Harrington, C. Lee & Bielby, Denise D. (2007), “Keep your fans to yourself: the disjuncture between sport studies’ and pop culture studies’ Perspectives on Fandom”. Sport in Society, 10 (4): 580-600.
Seidman, Steven. (1991), Romantic longings: love in America, 1830-1980. Nova York, Routledge.
Sennett, Richard. (1977), The fall of public man. Nova York, Knopf.
. (2008), The craftsman. New Haven/Londres, Yale University Press.
Simmel, Georg. (1911), Philosophische Kultur. Leipzig, Kröner.
Simmel, George. (1950), The sociology of Georg Simmel. Editado por Kurt H. Wolff. Nova York, Free Press.
. (1916), “Die Krisis der Kultur”. Frankfurter Zeitung, fev. 13.
. (1955), Conflict and the web of group affiliations. Nova York, Free Press.
. (1958), “The adventure”. In: Frisby, David & Featherstone, Mike (orgs.). Simmel on culture. Londres, Sage.
. (1972), On individuality and social forms. Chicago, University of Chicago Press.
Sudnow, William. (1993), Ways of the hand. Cambridge, mit Pres.
Sumption, J. (1975), Pilgrimage, an image of medieval religion. Londres, Faber.
Swidler, Anne. (2001), Talk of love. Berkeley, ca, University of California Press.
Tacchi, Jo. (2003), “Nostalgia and radio sound”. In: Bull, Michael & Back, Les (orgs.). The auditory culture reader. Oxford, Berg.
Taussig, Michael. (1992), Mimesis and alterity. Londres, Routledge.
Taylor, Charles. (1992), The ethics of authenticity. Cambridge, Harvard University Press.
Thornton, Sarah. (1996), Club cultures, music, media, and subcultural capital. Hanover, nh, University Press of New England.
Torche, Florencia. (2007), “Social status and cultural consumption: the case of reading in Chile”. Poetics, 35 (2-3): 70-92.
Towse, Ruth. (1993), Singers in the marketplace: the economics of the singing profession. Oxford, Clarendon.
Turkle, Sherry. (1975), “Symbol and festival in the french student uprising”. In: Moore, Sally F. & Myerhoff, Barbara (orgs.). Symbol and politics in communal ideology. Ithaca, ny, Cornell University Press.
Turner, Victor. (1967), The forest of symbols: aspects of ndembu ritual. Ithaca, ny, Cornell University Press.
. (1974), Dramas, fields and metaphors: symbolic action in human society. Ithaca, ny, Cornell University Press.
. (1977), The ritual process: structure and anti-structure. Ithaca, ny, Cornell University Press.
Van Eijck, Keo. (2001), “Social differentiation in musical taste patterns”. Social Forces, 79 (2): 1163-1185.
Vila, Pablo & Semán, Pablo. (1999), “Rock chabón e identidad juvenil”. In: Filmus, Daniel (org.). Los noventa: política, sociedad y cultura en América Latina y Argentina de fin siglo. Buenos Aires, Flacso/Eudeba.
Wacquant, Loic. (2003), Body and souL: notebooks of an apprentice boxer. Nova York/Londres, Oxford University Press.
. (2004), “Carnal connections, on embodiment, membership, and apprenticeship”. Qualitative Sociology, 28 (4): 441-471.
Walzer, Michael. (1989), The company of critics: social criticism and political commitment in the 20th century. Nova York, Basic Books.
Weber, Marianne. (1975), Max Weber: a biography. Nova York, Wiley.
Willis, Paul. (1978), Profane culture. Londres, Routledge.
Wolk, Douglas. (2007), Reading comics: how graphic novels work and what they mean. Nova York, Da Capo Press.
Zapponi, Elena. (2007), “La individualización contemporánea de la noción de amor a Dios”. Apuntes de Investigación en Cultura y Política, 12: 103-130.
Zavisca, Jane. (2005), “The status of cultural omnivorism: a case study of reading in Russia”. Social Forces, 84 (2): 1233-1255.
Zelizer, Viviana. (2005), The purchase of intimacy. Princeton, Princeton University Press.
Downloads
Publicado
Edição
Seção
Licença
Copyright (c) 2015 Tempo Social
Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial 4.0 International License.
