Translating Joyce

Authors

  • Bernadina da Silveira Pinheiro Universidade Federal do Rio de Janeiro

DOI:

https://doi.org/10.37389/abei.v5i1.183823

Abstract

This article aims at providing a general view on translation according to Friedrich Schleiermacher and José Ortega y Gasset, extending to a discussion on the translation of A Portrait of the Artist as a Young Man, centered on the adaptation to Brazilian Portuguese of James Joyce ́s poetic style. Being aware of the diversity of both languages with their own melody, cadence, and rhythm, an attempt was made to transfer to Portuguese, as much as possible, Joyce ́s peculiar and outstanding style. The preservation of the repetition of words and connectives used by Joyce was essential, for not only does it help to suggest the psychic development of Stephen Dedalus, but it also lends greater musicality to his language.

References

Ellmann, Richard. James Joyce: New and Revised Edition. New York/ Toronto/ Melbourne: Oxford

University Press, l983.

Joyce, James. A Portrait of the Artist as a Young Man. New York: The Viking Press, 1968.

____. Um retrato do artista quando jovem. Trad. Bernardina da Silveira Pinheiro. São Paulo:

Siciliano,1992.

____. Ulysses. The corrected text. Hans Walter Gabler (Ed.). Harmondsworth, Middlesex, England:

Penguin Books, 1986.

Ortega YT Gasset, José. “ The Misery and Splendor of Translation”, in Schulte, Rainer and Biguenet,

John. Theories of Translation: An Anthology of Essays from Dryden to Derrida. Chicago and

London: The University of Chicago Press, l992.

Schleiermacher, Friedrich. “ On the Different Methods of Translating”, in Schulte, Rainer and Biguenet,

John.

Schulte, Rainer and Biguenet, John. Theories of Translation: An Anthology of Essays from Dryden to

Derrida. Chicago and London: The University of Chicago Press, l992.

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Published

2003-06-30

Issue

Section

Translations

How to Cite

da Silveira Pinheiro, B. (2003). Translating Joyce. ABEI Journal, 5(1), 357-363. https://doi.org/10.37389/abei.v5i1.183823