Bernard Shaw’s Novels: a Critical View

Authors

  • Rosalie Rahal Haddad

DOI:

https://doi.org/10.37389/abei.v7i1.184205

Keywords:

Bernard Shaw, Fictional writing, Novel

Abstract

The aim of this article is to demonstrate the importance of Bernard Shaw’s fictional writing for his dramaturgy. Severely rejected by the critics, Shaw’s fiction rarely receives the credit it deserves. His novels are important principally because they portray the end of the Victorian century in the light of the rigid and conservative values of English society. They disobeyed the dictates of the period by criticizing society in accordance with the author’s iconoclastic style, which characterized his later theatrical work. It is important to establish a link between Shaw’s novels and his dramaturgy. In his fiction it is already possible to detect the inversion of morality in the Victorian social and cultural context, which becomes more profoundly accentuated in his plays.

Author Biography

  • Rosalie Rahal Haddad

    ROSALIE RAHAL HADDAD obtained her Doctoral degree from the Universidade de São Paulo. She has written several articles on Bernard Shaw, published her Master’s dissertation under the title George Bernard Shaw e a Renovação do Teatro Inglês, by Olavobras-ABEI, 1997, and her doctoral thesis Bernard Shaw’s Novels: His Drama of Ideas in Embryo was published by WVT Wissenschaftlicher Verlag Trier, Trier, Germany, 2004.

References

Laurence, Dan H. and Daniel J. Leary, eds. The Complete Prefaces. London: Allen Lane, 1993, v. I.

Shaw, Bernard. Major Barbara. London: Penguin Books, 1960.

____. Sixteen Self Sketches: New York: Dodd, Mead and Company, 1949.

____. Plays Unpleasant.London: Penguin Books, 1988.

Weintraub, Stanley. “The Embryo Playwright in Shaw’s Early Novels”. Texas Studies in Literature

and Language, v. I, (1959): 329-50.

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Published

2005-06-30

How to Cite

Haddad , R. R. . (2005). Bernard Shaw’s Novels: a Critical View. ABEI Journal, 7(1), 41-49. https://doi.org/10.37389/abei.v7i1.184205