Ceaseless interruptions: the tear of the form in Cent mille milliards de poèmes, by Raymond Queneau, Tom, Tom, the Piper’s son, by Ken Jacobs, and Patterns, by Gerhard Richter. ARS, [S. l.], v. 15, n. 29, p. 200–215, 2017. DOI: 10.11606/issn.2178-0447.ars.2017.121072. Disponível em: https://www.revistas.usp.br/ars/article/view/121072.. Acesso em: 20 may. 2024.