Ceaseless interruptions: the tear of the form in Cent mille milliards de poèmes, by Raymond Queneau, Tom, Tom, the Piper’s son, by Ken Jacobs, and Patterns, by Gerhard Richter. ARS [Internet]. 2017 Apr. 30 [cited 2024 May 20];15(29):200-15. Available from: https://www.revistas.usp.br/ars/article/view/121072