An antieuclidian flower: the rhythm and the timing of the sign between Drummond and Meschonnic

Authors

  • Roberto Zular Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas

DOI:

https://doi.org/10.11606/issn.1984-1124.i37p54-67

Keywords:

heterogeneity, Meschonnic, Drummond, time, rhythm

Abstract

In this article, we will seek to show how temporality and rhythm are developments of the internal dynamics of the sign and the poem, being intrinsic, therefore, to the becoming of meaning itself.  On this non-geometric path, we will be led by a reading of Drummond via Meschonnic and vice versa.

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Author Biography

  • Roberto Zular, Universidade de São Paulo. Faculdade de Filosofia, Letras e Ciências Humanas

    Doutor em Língua e Literatura Francesa pela Universidade de São Paulo (2001). É professor do Departamento de Teoria Literária e Literatura Comparada na Faculdade de Filosofia, Letras e Ciências Humanas (USP).

References

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VALÉRY, Paul. Feitiços [Charmes]. Tradução de Roberto Zular e Álvaro Faleiros. São Paulo: Iluminuras, 2020.

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Published

2023-01-15

Issue

No. 37 (2023): Continuar Henri Meschonnic

Section

Articles

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How to Cite

Zular, R. (2023). An antieuclidian flower: the rhythm and the timing of the sign between Drummond and Meschonnic. Revista Criação & Crítica, 37, 54-67. https://doi.org/10.11606/issn.1984-1124.i37p54-67