Portinari's Drawings of Hans Staden: Oblivion and Memory of the Colonial Past

Autores/as

  • Luciana Villas Bôas Universidade Federal do Rio de Janeiro. Faculdade de Letras. Departamento de Letras Anglo Germânicas

DOI:

https://doi.org/10.11606/1982-88371927103125

Palabras clave:

Candido Portinari, Hans Staden, colonial memory, visual arts, nationalism

Resumen

This article explores the production and transmission of illustrations Candido Portinari made for a North-American edition of Hans Staden's book on sixteenth-century Brazil. Made in 1941, the drawings fell into oblivion for almost sixty years, until their posthumous publication in 1998 in Brazil. The article argues that the destiny of the drawings is symptomatic for the articulation of the cultural memory of the colonial past in Brazil. Based upon the analysis of their critical reception and visual repertoire, it suggests that the drawings diverge from traditional representations of the death of indigenous people by challenging the temporality underlying the national framework of colonial memory

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Publicado

2016-04-08

Número

Sección

Nao definida

Cómo citar

VILLAS BÔAS, Luciana. Portinari’s Drawings of Hans Staden: Oblivion and Memory of the Colonial Past. Pandaemonium Germanicum, São Paulo, Brasil, v. 19, n. 27, p. 103–125, 2016. DOI: 10.11606/1982-88371927103125. Disponível em: https://www.revistas.usp.br/pg/article/view/113855.. Acesso em: 13 may. 2024.