Found Footage: Some Thoughts

Autores/as

  • Malcolm Le Grice Sem registro de afiliação

DOI:

https://doi.org/10.11606/issn.2316-4077.v3i5p54-59

Palabras clave:

Found footage, Malcolm Le Grice, Estética, Ética

Resumen

So, again in retrospect, what did I (intuitively) want or demand from the found film material? Firstly I sought a quality of mystery about an image - what I now talk about as a ‘latency’ – finding some aspect of the sequence that was not seen or intentionally put there by the original cinematographer and that, when re-combined in a different context, opened up new and surprising meanings.

Biografía del autor/a

  • Malcolm Le Grice, Sem registro de afiliação

    Born 15 May 1940, has exhibited internationally including Fondacion Joan Miro, Barcelona; the Louvre Paris; and Tate Modern and Tate Britain. His work is in collections including the Centre Georges Pompidou; the British Film Institute; and the Royal Belgian Film Archive. He has published extensively including ‘Abstract Film and Beyond’ and ‘Experimental Cinema in the Digital Age’.

Publicado

2014-06-05