Peripherical voices: expansion, immersion and dialogue in the Racionais MC’s work
DOI:
https://doi.org/10.11606/issn.2316-901X.v0i56p101-126Keywords:
rap, slum, dialogue, collectivization, discourse.Abstract
This paper presents a reflection on the work of the rap group from São Paulo Racionais MC’s, highlighting points of dialogue between his last two studio albums: Sobrevivendo no inferno, 1997, and Nada como um dia após o outro, 2002. We found, in this discursive course, the presence of voices which intertwine and indicate a collectivized speech, seeking the identification between the slums and the group’s rhetoric, but they also point out to an immersion into the subjectivity, to the problematization of the discourse itself, acting as a form of debugging of the social experience in the favela. We argue further that Sobrevivendo no inferno represents a turning point inthe thinking of the quartet. Thus, themes and perspectives present, although embryonically, in the first focused album, point to dramas that take shape in the second one.
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Published
2013-12-18
Issue
Section
Dossiê Culturas da Periferia
License
- Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.
How to Cite
Oliveira, L. S. de, Segreto, M., & Cabral, N. L. S. C. (2013). Peripherical voices: expansion, immersion and dialogue in the Racionais MC’s work. Revista Do Instituto De Estudos Brasileiros, 56, 101-126. https://doi.org/10.11606/issn.2316-901X.v0i56p101-126