Spatial criticality notes on an artistic intervention in the city of São Paulo
DOI:
https://doi.org/10.11606/issn.2316-901X.v0i56p259-272Keywords:
urban development, architectural interventions, criticality, performativity, spatialconflictuality.Abstract
Today, contemporary art is incorporated as a significant factor in developing urban areas. The current incorporation of art in the development of contemporary urban environments raises a number of new issues for research in art history and urbanity studies, as well as art practices. In her article Sabine Nielsen highlights the aspects of city spaces that interests the contemporary artist Hector Zamora, and in continuation hereof she illustrates how his architectural intervention in Sao Paulo entitled Errante can be said to reflect, contest, and transform the surrounding urban zones. Through an analysis of this specific project Sabine Nielsen shows how contemporary art exists in close interaction with urban culture, and how changes in infrastructure and socio-cultural developments necessitate the invention of new techniques and temporary strategies if contemporary art is to have a relevant relationship to current city development.Downloads
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Published
2013-12-18
Issue
Section
Articles
License
- Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição CC-BY.
How to Cite
Nielsen, S. (2013). Spatial criticality notes on an artistic intervention in the city of São Paulo. Revista Do Instituto De Estudos Brasileiros, 56, 259-272. https://doi.org/10.11606/issn.2316-901X.v0i56p259-272