Modernist Concision in the Villa-Lobos's Seresta nº 9 (Abril)

Authors

  • Paulo de Tarso Salles Universidade de São Paulo

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i59p79-96

Abstract

This article aims to analyze the Seresta nº 9 (Abril) composed by Villa-Lobos upon a poem written by Ribeiro Couto. The context of the Brazilian modernism from the 1920s surrounds this song, which influenced not only the Brazilian concert music but also the popular music, especially by Antonio Carlos Jobim, whose song Double Rainbow (Chovendo na roseira) quotes a phrase extracted from Abril.

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Published

2014-12-01

Issue

No. 59 (2014)

Section

Dossier Brasilian Songs: Popular songs, tradicional songs

License

 

  • Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição BY-NC.

How to Cite

Salles, P. de T. (2014). Modernist Concision in the Villa-Lobos’s Seresta nº 9 (Abril) . Revista Do Instituto De Estudos Brasileiros, 59, 79-96. https://doi.org/10.11606/issn.2316-901X.v0i59p79-96