The Angel and His Metamorphosis

Authors

  • José Eduardo Martins

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i42p31-42

Keywords:

F. Mignone, a Parte do Anjo, Pluralism of the thought

Abstract

Francisco Mignone in face the principles of the Nationalistic aesthetics proposed by Mário de Andrade. The need of adherence as a requirement for intellectual and artistic survival. A Parte do Anjo (The Angel´s share), dated 1947, and the antagonisms. Thematics: plagiarize and skill, talent and technique, inborn genius and man made genius, national and international music, angel and devil, dynamic doubt and doubt with mistrust, Villa-Lobos and Camargo Guarnieri. Plurarism of the thought. A terminal Nationalism and modern trends of the Brazilian music.

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Author Biography

  • José Eduardo Martins
    Paulista e Professor do Departamento de Música da Escola de Comunicações e Artes, Universidade de São Paulo

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Published

1997-01-31

Issue

No. 42 (1997)

Section

Música Brasileira: Centenários em 97

License

 

  • Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição BY-NC.

How to Cite

Martins, J. E. (1997). The Angel and His Metamorphosis. Revista Do Instituto De Estudos Brasileiros, 42, 31-42. https://doi.org/10.11606/issn.2316-901X.v0i42p31-42