Two by Two, four:temporality, performance,and film essay inThe dreamed ones film
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2023.194124Keywords:
Letters exchange, Trauma, Presence, Performance, Temporality, Essay filmAbstract
In this article, I aim to analyze the film essay Die Geträumten (The dreamed ones, 2016), by Ruth Beckermann, and the letter exchange between Paul Celan and Ingeborg Bachman, Heart’s time. First of all, I present some questions on the letter exchange between Celan and Bachmann, then I associate the characteristic of the film essay with the theme of performance and time. Finally, I will develop the issue of temporality, associating it to the discussion of the main characters in the plot as a choice to escape the theoretical references of trauma for Literature, Cinema, and History.
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References
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Referências audiovisuais
DIE Geträumten (Os Sonhados). Ruth Beckermann, Áustria, 2016.
LIGHTNING over water (Um Filme para Nick). Wim Wenders, Suécia, 1980
SHOAH. Claude Lanzmann, França, 1985.
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