Placing the photographic image in contemporary Spanish photocine
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2013.59954Keywords:
Spanish cinema, photographic, photocine.Abstract
The article analyzes three recent films produced in Spain which the photographic gains movement in the picture to consider today like a new category, as photocine. The films analyzed are: Unas fotos en la ciudad de Sylvia (Luis Guerin, 2007, 67’); El Pabellón Alemán (Juan Millares, 2009, 14’); and El Baobab de piedra (Marco Potyomkin, 2010, 86’).
Downloads
Download data is not yet available.
Downloads
Published
2013-06-11
Issue
Section
Articles
License
Copyright (c) 2013 Fernando de Tacca
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal must agree with the following terms:
- Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
- Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.
How to Cite
Placing the photographic image in contemporary Spanish photocine. (2013). Significação: Journal of Audiovisual Culture, 40(39), 140-166. https://doi.org/10.11606/issn.2316-7114.sig.2013.59954