Copacabana: uma odisséia intraplanetária

Authors

  • Reto Melchior Universidade de São Paulo

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2006.65622

Keywords:

Brazilian cinema, Carla Camurat, Copacabana, Assoc1at1ve perception, Visual semiotics, Dialogism, Intertextuality, Carnivalization

Abstract

This "intraplanetary odyssey" shows a personal associative perception of the Brazilian film Copacabana (2001), by Carla Camurati. It comments the explicit dialogism with literature and moving pictures, presents two examples ofhidden visual intertextuality with paintings by Mantegna and Picasso and designates oneiric and other narrative techniques illustrating a poetic approach to carnival.

Downloads

Download data is not yet available.

Downloads

Published

2006-06-23

Issue

Vol. 33 No. 25 (2006)

Section

Articles

License

Copyright (c) 2006 Reto Melchior

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Authors who publish in this journal must agree with the following terms:

  1. Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
  2. Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.

How to Cite

Copacabana: uma odisséia intraplanetária. (2006). Significação: Journal of Audiovisual Culture, 33(25), 69-111. https://doi.org/10.11606/issn.2316-7114.sig.2006.65622