La mujer que mira Análisis de un «arrepentimiento» en la obra de Bunuel o donde Las Hurdes comienzan a ser Tierra sin pan

Abstract

This article has to do with one of the problem regarding the film Las Hurdes (also known as Ti e rra sin Pan) . Such a problem concems the causes justifying both titles. The "watching women" was a shot excluded in the first version o f the movi e and later it was included in the version of 1936. The presence or absence of these filmic components interferes in the meaning: on one hand, ethnological content depends of the exclusion of the shot and, on the other hand, surrealistic significations depend on the inclusion of the shot. The author of the article discusses the creative relevance of this question.