The ellipse as a narrative strategy of TV series
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2014.83420Keywords:
Television, TV series, ellipse, narrative, cinema.Abstract
This paper examines the use of ellipses (“holes” in the temporal plot) as a key narrative strategy of the writers of contemporary TV series. Several examples are presented in order to characterize the ellipse as a cognitive challenge to the public, breaking the linearity and excessive redundancy of the older series (prior to 1990) that would underestimate the intelligence of the viewer.Downloads
Download data is not yet available.
Downloads
Published
2014-07-31
Issue
Section
Dossier
License
Copyright (c) 2014 Carlos Gerbase
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal must agree with the following terms:
- Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
- Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.
How to Cite
The ellipse as a narrative strategy of TV series. (2014). Significação: Journal of Audiovisual Culture, 41(41), 37-56. https://doi.org/10.11606/issn.2316-7114.sig.2014.83420