In Pompeii and Volterra the Earth Really Trembles: De- Territorialisation, European Art-Cinema, and the Fate of Neorealism in Roberto Rossellini's Journey to ltaly and Luchino Visconti's Sandra

Authors

  • Stefano Ciammaroni New York University

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2007.65650

Keywords:

Cinema, Neo-realism, European art-cinema.

Abstract

This paper uses two case studies, Roberto Rossellini 's Voyage to Italy (1953) and Luchino Visconti 's Sandra (1965), to discuss the political, historiographic and aesthetic issues informing the relationship between neo-realism as the cinema ofthe Italian nation and "European art-cinema" as de-nationalized institution.

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Published

2007-06-23

Issue

Vol. 34 No. 27 (2007)

Section

Articles

License

Copyright (c) 2007 Stefano Ciammaroni

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How to Cite

In Pompeii and Volterra the Earth Really Trembles: De- Territorialisation, European Art-Cinema, and the Fate of Neorealism in Roberto Rossellini’s Journey to ltaly and Luchino Visconti’s Sandra. (2007). Significação: Journal of Audiovisual Culture, 34(27), 169-179. https://doi.org/10.11606/issn.2316-7114.sig.2007.65650