A representação do índio brasileiro na interface pós-moderna de cinema e TV
DOI:
https://doi.org/10.11606/issn.2316-7114.sig.2004.65597Keywords:
Cnema, Television, Cultural representation, PostmodemismAbstract
The concept of postmodernism, in the sense proposed by Linda Hutcheon, is used in the analysis of Brazilian movie pictures and seriais, specially Caramuru- A Invenção do Brasil (Guel Arraes, 2001), hybrid product of cinema and television. In stylistic and ideological aspects, the main subject is the represententation of índios. The comparison with cinematographic and televisual products that follow other poetics indicates the specificity o f cultural representation in the movi e, which consists in the building of decentralized identities by the use ofthe fake and the ludic parody.Downloads
Download data is not yet available.
Downloads
Published
2004-12-23
Issue
Section
Articles
License
Copyright (c) 2004 Renato Pucci Jr.
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal must agree with the following terms:
- Authors keep their copyrights and grant the journal first time publication rights, having their articles simultaneously licensed under the Creative Commons Attribution License, which allows sharing texts with authorship recognition and first publication on this journal for non-commercial purposes.
- Authors are allowed to make additional contracts, for a non-exclusive distribution of the article’s version published on this journal (e.g.: publishing in institutional repositories of articles or as a book chapter), with authorship recognition and first publication on this journal.
How to Cite
A representação do índio brasileiro na interface pós-moderna de cinema e TV. (2004). Significação: Journal of Audiovisual Culture, 31(22), 115-129. https://doi.org/10.11606/issn.2316-7114.sig.2004.65597
