Quebrando silêncios: Mulheres, cidadania e o teatro na Irlanda do Norte
DOI:
https://doi.org/10.11606/issn.2595-8127.v25i2p87-100Palavras-chave:
Silêncio, Afeto, Gênero, Democracia, Cidadania, ViolênciaResumo
Este ensaio procura tecer uma análise da cidadania das mulheres e da sua dependência de certos silêncios e a exploração dessa tensão em duas produções recentes da Kabosh Theatre Company, com sede em Belfast. Kabosh e a diretora artística da empresa, Paula McFetridge, encenam uma obra que examina as realidades da região na era pós-conflito. Ao construir o quadro teórico para a análise, os conceitos de “silêncio” e “silenciamento” baseiam-se em Kristie Dotson (2015) e em trabalhos sobre violência, como o conceito de “violência epistêmica” de Gayatri Spivak e uma ampla gama de fontes sobre a representação da violência no teatro. O conceito de democracia agonística de Chantal Mouffe molda a discussão sobre a Irlanda do Norte, e Wendy Brown e Joane Butler são as principais estudiosas para a consideração acerca da cidadania e da nação.
Referências
Anyadike-Danes, Ngozi, Megan Reynolds, Cherie Armour, Susan Lagdon. Seen and Heard: Unwanted and non-consensual sexual experiences reported by university students in Northern Ireland. University of Ulster, 2022.
Belville, Maria, Sara Dybris McQuaid. “Speaking of Silence: Comments from an Irish Studies Perspective”. Nordic Irish Studies Vol. 11, No. 2, 2012, pp. 1-20. Stable URL: http://www.jstor.org/stable/41702633
Boland, Eavan. “The Woman Poet in a National Tradition.” Studies: An Irish Quarterly Review, vol. 76, no. 302, 1987, pp. 148–58.
Brown, Wendy. “Finding the Man in the State.” Feminist Studies Vol 18, No. 1, Spring 1992, pp.7-34.
Cafolla, Vittoria. The Shedding of Skin. Unpublished play text, ©Vittoria Cafolla 2021.
Coupe, Alexander. ““I’m Just a Pebble in the Pond”: Exploring the Lived Legacies of Art for Reconciliation.” Research in Drama Education: The Journal of Applied Theatre and Performance, vol. 27, no. 3, 3 July 2022, pp. 366–385.
Dotson, Kristie. “Tracking Epistemic Violence, Tracking Practices of Silencing.” Hypatia, Spring 2011, Vol 26 No 2, pp.236-257.
Enloe, Cynthia. Bananas, Beaches, and Bases. Berkeley, CA: University of California Press, 1990.
Goodman, Lizbeth. Contemporary Feminist Theatres. London & New York: Routledge, 1993.
Jenkinson, Rosemary. Silent Trade. Dublin: Arlen House, 2023.
Loughran, Christina. “Armagh and Feminist Strategy: Campaigns around Republican Women Prisoners in Armagh Jail.” Feminist Review, Summer 1986, No. 23, pp.59-79.
Mairs, Jolene. “Unseen Women: Stories for Armagh Gaol” (Film). Available online at https://vimeo.com/57889260 and at https://ansionnachfionn.com/2018/02/19/unseen-women-stories-from-armagh-gaol/. Last accessed 01/07/2023.
McKittrick, David, and David McVea. Making Sense of the Troubles: The Story of the Conflict in Northern Ireland. Chicago, New Amsterdam Books, 2012.
Mouffe, Chantal. “Art and Democracy.” Open, no. 14: Art as a Public Issue, 2008, pp.6-13.
Nagel, Joane. “Masculinity and nationalism: gender and sexuality in the making of nations.” Ethnic and Racial Studies, 21:2, 1998, pp.242-269,
Spivak, Gayatri Chakravorty. 1998. “Can the Subaltern Speak?” In Colonial Discourse and Post-Colonial Theory, eds. P. Williams and L. Chrisman (New York: Columbia University Press, 1992), pp. 66-111.
Swaine, Aisling. “Resurfacing Gender: A Typology of Conflict-Related Violence Against Women for the Northern Ireland Troubles.” Violence Against Women, 2023; Vol. 29 (6-7): pp. 1391-1418.
Weinstein, Laura. “The Significance of the Armagh Dirty Protest.” Éire/Ireland 41.3 & 4, 2007, pp.11-41.
Downloads
Publicado
Edição
Seção
Licença
Copyright (c) 2023 Lisa Fitzpatrick
Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial 4.0 International License.
