“What remains of all that misery?” Time, habit and memory in Samuel Beckett’s Krapp’s Last Tape

Авторы

  • Fernando Aparecido Poiana State University of São Paulo/UNESP

DOI:

https://doi.org/10.37389/abei.v17i0.3541

Аннотация

This article discusses how the flow of time in Krapp’s Last Tape constitutes an element of suspense to keep the audience’s attention and interest throughout. It also analyses the way Beckett’s play explores the paradoxical connection between time and meaning which, along with the corrosively comic potential it holds, offers the audience the opportunity to philosophize in concrete and existential terms.


Keywords: Samuel Beckett; Krapp’s Last Tape; existentialism.

Биография автора

  • Fernando Aparecido Poiana, State University of São Paulo/UNESP

    Fernando Aparecido Poiana got his MA at the State University of São Paulo/UNESP. He studied Modern British and Irish Literature at the University of Louisville, Kentucky, USA, in the 2007 Fall term. He is currently doing a doctorate research on the poetry of Seamus Deane, at IBILCE, UNESP, under the supervision of Professor Dr. Peter James Harris.

Загрузки

Опубликован

2015-11-17

Выпуск

Том 17 (2015): ABEI Journal 17

Раздел

Drama

Как цитировать

Poiana, F. A. (2015). “What remains of all that misery?” Time, habit and memory in Samuel Beckett’s Krapp’s Last Tape. ABEI Journal, 17, 77-87. https://doi.org/10.37389/abei.v17i0.3541