O cinema como subproduto do cinema Found Footage
DOI:
https://doi.org/10.11606/issn.2316-4077.v3i5p66-80Palabras clave:
Alberto Cavalcanti, Um homem e o cinema, Brazilian cinema, Found footageResumen
Um Homem e o Cinema depicts the development of filmic resources in a physical and direct way, through one of its most skilled operators: Alberto Cavalcanti. And it does so by using his own films for proving it. In Um Homem e o Cinema, found-footage appears as sections/chapters of a monograph that manages to avoid an academic format, in favor of a more essayistic style. It is a film about cinema and a man who lived it intensely and viscerally: Brazilian Alberto Cavalcanti.
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2014-10-26
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Derechos de autor 2014 Revista Laika
Esta obra está bajo una licencia internacional Creative Commons Atribución-NoComercial 4.0.