Mário de Andrade e Villa-Lobos

Authors

  • Flávia Camargo Toni Conservatório da Cidade de São Paulo

DOI:

https://doi.org/10.11606/issn.2316-901X.v0i27p43-58

Keywords:

biographical notes, musical critics.

Abstract

The writings on music of Mário de Andrade show a shift in his political thought during the 30's. We can realize this change also by his comments on the Villa-Lobos performance in São Paulo.

On the other hand, the composers biography prove that he, at that time, as engaged to the political establishment, thus being greatly favoured in this carreer.

Mário de Andrade firmly desapproves Villa-Lobo's Attitudes. Later writings show a broader understanding of the problem, now viewed as a general gap in brazilian composers formation.

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Author Biography

  • Flávia Camargo Toni, Conservatório da Cidade de São Paulo
    Supervisora da Equipe Técnica de Pesquisas de Música (CCSP); coordenadora do Dicionário Musical Brasileiro de Mário de Andrade (Projeto Ministério da Cultura/Instituto de Estudos Brasileiros).

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Published

1987-12-31

Issue

No. 27 (1987)

Section

Articles

License

 

  • Todo o conteúdo do periódico, exceto onde está identificado, está licenciado sob uma Licença Creative Commons do tipo atribuição BY-NC.

How to Cite

Toni, F. C. (1987). Mário de Andrade e Villa-Lobos. Revista Do Instituto De Estudos Brasileiros, 27, 43-58. https://doi.org/10.11606/issn.2316-901X.v0i27p43-58