O realismo e a catástrofe histórica nos filmes-testemunho

Authors

  • Cristiane Freitas Gutfreind Pontifícia Universidade Católica do Rio Grande do Sul.

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2011.70950

Keywords:

Realism, Testimony films, Archive

Abstract

This paper analyzes the process of creating the visual image archive of the testimony films. In this case, we use as example films that debate different historical catastrophes: the Shoah (holocaust) and the Brazilian military dictatorship. The creation of these files affects the understanding of realism as recurrent aesthetic strategies and the forms of representation that produce these images. The record of the actual choices made through the aesthetic point of view determines the ethical and moral of the different forms of realism.

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Author Biography

  • Cristiane Freitas Gutfreind, Pontifícia Universidade Católica do Rio Grande do Sul.
    Doutora pela Université Paris-Descartes e professora do Programa de Pós-Graduação da Pontifícia Universidade Católica do Rio Grande do Sul.

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Published

2011-12-22

Issue

Vol. 38 No. 36 (2011)

Section

Articles

License

Copyright (c) 2011 Cristiane Freitas Gutfreind

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How to Cite

O realismo e a catástrofe histórica nos filmes-testemunho. (2011). Significação: Journal of Audiovisual Culture, 38(36), 195-209. https://doi.org/10.11606/issn.2316-7114.sig.2011.70950