Musical practices and social identifications

Authors

  • Pablo Vila Temple University

DOI:

https://doi.org/10.11606/issn.2316-7114.sig.2012.71197

Keywords:

Identity, criticism, homology, music interpellations, narrative.

Abstract

The article presents a theoretical proposal for the relationship
between musical practices and social identifications. Looking
to differentiate himself from homological theories on this
relationship, Vila proposes that musical practices articulate
an identification anchored on the body, through the different
alliances we establish between our diverse, fragmented, situational
and imaginary narrative identities, and the diverse, fragmented,
situational and imaginary narrative identities different musical
practices attempt to materialize.

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Author Biography

  • Pablo Vila, Temple University
    Nascido na Argentina, Pablo Vila é ph.D. em sociologia pela University of Texas (Austin) e professor de sociologia da Temple University, na Filadélfia.

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Published

2012-12-23

Issue

Vol. 39 No. 38 (2012)

Section

Articles

License

Copyright (c) 2012 Pablo Vila

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How to Cite

Musical practices and social identifications. (2012). Significação: Journal of Audiovisual Culture, 39(38), 247-277. https://doi.org/10.11606/issn.2316-7114.sig.2012.71197