The new American dance elements and the roots originating of the Viewpoints’ System.

Authors

  • Laís Marques Silva Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2238-3999.v2i1p84-93

Keywords:

theatre, performance, creative process, body training

Abstract

Abstract: Some of the elements present in the new American dance that make up the Viewpoints’ System embryonic roots are identified. Subjects like freedom and real’s desire increasing the creation estrategies proposed by Anne Bogart on the contemporary theater.

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Author Biography

  • Laís Marques Silva, Universidade de São Paulo. Escola de Comunicações e Artes

    Aluna do Programa de Pós-Graduação em Artes Cênicas da Universidade de São Paulo e Mestranda na área Teoria e Prática do Teatro / Texto e Cena. 

References

BANES, Sally. Greenwich Village 1963. Avant-Garde, Performance e o Corpo Efervescente. Rio de Janeiro: Rocco, 1999.

BOGART, Anne. A preparação do diretor. Martins Fontes: São Paulo, 2011.

_________ . And then you act: making art in an unpredictable world. New York: Routledge 2007.

BOGART, Anne & LANDAU, Tina. The viewpoints book – A practical guide to viewpoints and composition. Theatre Communications Group, NY, 2005.

CAGE, John. Composition in retrospect. Cambridge: Exact Change, 1993.

Gil, José. Movimento Total. São Paulo: Iluminuras, 2004.

PAVIS, Patrice. Dicionário de Teatro. São Paulo: Perspectiva, 1999.

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Published

2012-10-07

Issue

Vol. 2 No. 1 (2012)

Section

Relatos de Pesquisas em Andamento

License

Copyright (c) 2012 Revista Aspas

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How to Cite

The new American dance elements and the roots originating of the Viewpoints’ System. (2012). Revista Aspas, 2(1), 84-93. https://doi.org/10.11606/issn.2238-3999.v2i1p84-93