We-in-work, in flux, in-corporated

Abstract

In this paper the creation processes are studied starting from the analysis of sections of the assembly diaries of the play ''Nos'', by Grupo Galpao (MG) and the whatsApp diaries by Pratica Aisthesis (DF). Therefore, I propose to analyze and relate them from a processual, dynamic and moving perspective which is beyond the information storage, but inserted in the complex relation and mobility between play and process.The analysis is also about maintaining processes in works based on the idea of flows, gerunds and corporeality present in creation trajectories. The theoretical dialogue is based in the creations researches in networks impulsed by Cecilia Salles in which is highlighted the plurality of points of views and the aspect in the creation processes, just like in the studies of Diana Taylor that question and reinforce the relations between archive and repertoire.