Rituaes e festas Bororo: a construção da imagem do índio como "selvagem" na Comissão Rondon

Authors

  • Fernando de Tacca Unicamp; Instituto de Artes; Departamento de Multimeios

DOI:

https://doi.org/10.1590/S0034-77012002000100006

Keywords:

photography, ethnography film, anthropology, Bororo, Luiz Thomaz Reis

Abstract

This article investigate the film Rituaes e festas Bororo (1917), produced by Luiz Thomaz Reis, during his first film-version. He created the Photographic and Cinema Department of Rondon Commission in 1912 being its principal filmmaker and photographer. The analysis focus the cinema narrative and overlap it with another photograms published like a photographic narrative in Índios do Brasil (1946) by Rondon. This film together with another similar images of Rondon Commission build a "selvage" sign for Brazilian Indians image. Today its is considered not only a pioneer film but one of the most important documents in ethnographic film history.

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Published

2002-01-01

Issue

Vol. 45 No. 1 (2002)

Section

Articles

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How to Cite

Tacca, F. de. (2002). Rituaes e festas Bororo: a construção da imagem do índio como "selvagem" na Comissão Rondon . Revista De Antropologia, 45(1), 187-219. https://doi.org/10.1590/S0034-77012002000100006