James Wood’s Rogósânti: aspects of the analysis in a first approach

Autores/as

  • Eliana C. M. G. Sulpicio Universidade de São Paulo. Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto.
  • Ricardo Bologna Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2447-7117.rt.2015.107645

Palabras clave:

percussion, Multiple percussion, analysis, interpretative practices

Resumen

This article presents some initial considerations on the James Wood’s composition Rogósânti. Written in 1986 for multiple percussion and dedicated to the percussionist Steven Schick, this piece is shaped into a large “tripartite route”, where the composer presents two main reasons based on rhythmic cells of Indian music. In this first stage of this analysis, we present some hypotheses concerning a possible “inspiration” linked to the concept of rhythmic characters of Oliver Messiaen.

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Publicado

2015-11-24

Número

Vol. 1 Núm. 1 (2015)

Sección

Artigo

Licencia

Los autores conservan los derechos de autor y otorgan a la revista el derecho a la primera publicación, con el trabajo bajo la licencia de atribución Creative Commons CC-BY-NC:

Creative Commons License

Esta obra está bajo una licencia internacional Creative Commons Atribución 4.0.

Cómo citar

James Wood’s Rogósânti: aspects of the analysis in a first approach. (2015). Revista Da Tulha, 1(1), 82-103. https://doi.org/10.11606/issn.2447-7117.rt.2015.107645