Poética estrutural em movimento: Jan Mukařovský e Roman Jakobson

Ondřej Sládek

doi:10.11606/issn.2317-4765.rus.2021.189194

Autores

Ondřej Sládek Masaryk University of Arts https://orcid.org/0000-0001-9425-8878

DOI:

https://doi.org/10.11606/issn.2317-4765.rus.2021.189194

Palavras-chave:

Jan Mukařovský, Roman Jakobson, Europa central e oriental, Escola de Praga, Estruturalismo, Teoria literária, Estética e poética estruturais

Resumo

Há muitas perspectivas que podemos adotar quando escrevemos uma história da teoria e da crítica literárias e, de um modo mais amplo, uma história do pensamento literário. Uma dessas abordagens que considero estimulante é o mapeamento das relações pessoais entre estudiosos de literatura. Este estudo trata da relação entre dois acadêmicos literários: Jan Mukařovský e Roman Jakobson. O estudo analisa as transformações no contexto amplo de suas vidas e obras, mas também no âmbito dos eventos culturais e políticos dominantes durante suas vidas. O ponto central deste estudo é prover uma síntese das bases epistemológicas das poéticas estruturais de Jakobson e de Mukařovský. Os cinco princípios chaves teóricos e metodológicos são: 1) a obra de arte é um fenômeno suis generis; 2) o princípio da parte e do todo; 3) movimento. A literatura está em constante movimento; 4) trabalhar com o material (literário); 5) a obra de arte é um signo. A arte é um sistema de signos. Além disso, este estudo serve não só para ilustrar os altos e baixos de uma amizade, mas também a ascensão e o declínio do estruturalismo – uma das mais proeminentes abordagens da moderna teoria literária.

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Biografia do Autor

Ondřej Sládek, Masaryk University of Arts

Associate professor of the Department of Czech Language and Literature – Faculty of Education – at the Masaryk University of Arts.

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