Musical architectonics of A. Chekhov's novel "A boring story"
DOI:
https://doi.org/10.11606/issn.2317-4765.rus.2022.200279Keywords:
Chekhov, Musical Elements, A Boring StoryAbstract
The article presents an analysis of the musical subtext of Chekhov's novel "A Boring Story". From this position, two compositional lines, "minor" and "major", the introduction, development, culmination and completion of each of them, their interconnection, variations, repetitions, changes in rhythm and tension are considered, as well as combinations of musical and lexical elements of the text are traced and made conclusion that musical architectonics as a means of subtext is an important key to understanding the author's intention.
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