A READING OF THE POEM “CHORINHO” IN A DIALOGICAL PERSPECTIVE

Abstract

This article presents a reading of the poem “Chorinho”, that integrates the work Vaga Música (1942) by Cecilia Meireles,in the perspective of dialogical discursive analysis of Bakhtin’s Circle. We take as reference the concepts of responsiveness and accountability that underlie Bakhtin’s reflections in his essay “Hacia uma filosofia del acto ético” (1997) about art, pointing dialogical relations established between the poetic text and social context, pointing as first reference the lyrical poem and Cecilia Meireles’s poetic proposal. After, from the musical leitmotif of the title and the suggestive poetic images we can see the conflict of self-lyrical, that demonstrates the dialogue between the liric self and the socio-historical context marked by the military dictatorship of Vargas and the Second World War. Contrary to current thinking that Cecilia Meireles distanced herself from the problems of her time, the analysis demonstrates that the subtlety of the poetic images, guided by the proximity of the popular musical universe, brings tension and existential suffering marked by adverse social context. Thus, the poem represents the author’s responsive and responsible attitude, in the bakhtinian perspective,fulfilling an aesthetic artistic proposal.