Listening beyond the Anthropocene: Poetry as an echological survival

Authors

DOI:

https://doi.org/10.11606/issn.1982-8160.v17i2p191-204

Keywords:

Anthropocene, Sound art, Ecology, Contemporary art, Cultural studies

Abstract

From the analysis of Poetry as an echological survival by sound artist Nuno da Luz, we reflect upon forms of environmental and echological involvement. This exhibition proposes a sensorial alternative to the critical discussion around Anthropocene narratives, answering some of the critics of this concept. Sound art plays an important role given its material characteristics and the fact that it complements the Western world-view, which privileges vision. The way the work of Nuno da Luz creates a being-in-the-world in which visitors are penetrated by sound waves proposes a redefinition of our ecological condition, hence creating an “echological survival”.

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Author Biographies

  • João Pedro Amorim, Universidade Católica Portuguesa

    João Pedro Amorim (1993, b. Arcos de Valdevez) is a visual artist and PhD candidate at CITAR, School of Arts at Universidade Católica Portuguesa.

  • Luís Teixeira, Universidade Católica Portuguesa

    Luís Teixeira has a degree and PhD in Electrical and Computer Engineering from the University of Porto and has been a lecturer at the School of Arts of the Portuguese Catholic University since 1997. He has extensive research experience in digital humanities, with emphasis on immersive and interactive systems.

References

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Published

2023-08-31

Issue

Section

Em Pauta/Agenda

How to Cite

Amorim, J. P., & Teixeira, L. (2023). Listening beyond the Anthropocene: Poetry as an echological survival. MATRIZes, 17(2), 191-204. https://doi.org/10.11606/issn.1982-8160.v17i2p191-204