A performance solo e o sujeito autobiográfico

Autores

  • Ana Bernstein Universidade de São Paulo. Escola de Comunicações e Artes

DOI:

https://doi.org/10.11606/issn.2238-3867.v1i0p91-103

Palavras-chave:

Performance, contemporâneo, sujeito

Downloads

Os dados de download ainda não estão disponíveis.

Referências

ARCADE, P. New York Values e Bad Reputation. Manuscritos não publicados.

de MAN, P. “Autobiography as De-Facement”. In: The Rethoric of Romanticism. Nova York, Columbia University Press, 1984.

BAKHTIN, M. Rabelais and His World. Bloomington, Indiana University Press, 1984.

BUTLER, J. “Imitation and Gender Subordination”. In: The Lesbian and Gay Studies Reader. Nova York e Londres, Routledge, 1993, 1a ed. 1989.

BUTLER, J. Bodies that Matter: on the discursive limits of “sex”. Nova York, Routledge, 1993.

CARR, C. On Edge: Performance at the end of the twentieth century. Hannover e Londres, University Press of New England, 1993.

FINLEY, K. “The Constant State of Desire: In: Shock Treatment. San Francisco, City Light Books, 1990.

FINLEY, K. “Performances Strategies: In: MARRANCA & DASGUPTA (eds.). Conversations on Art and Performance. Baltimore e Londres, John Hopkins University Press, 1999.

FOUCAULT, M. The History of Sexuality. Vol. 1. Nova York, Vintage Books, 1990.

HART, L. “Motherhood According to Karen Finley: The Theory of Total Blame”. In: MARTIN, C. (ed.). A Sourcebook of Feminist Theatre and Performance. Nova York e Londres, Routledge, 1996.

LEJEUNE, P. On Autobiography. Minneapolis, University of Minnesota Press, 1989.

MARTIN, E. “Medical Metaphors of Women’s Bodies: Menstruation and Menopause”. In: CONBOY, MEDINA & STANBURY, S. (eds.). Writing on the Body: Female Embodiment and Feminist Theory. Nova York, Columbia University Press, 1997.

PATRAKA, V.M. “Split Britches in Split Britches: Performing History, Vaudeville and the Everyday” In: HART & PHELAN (eds.). Acting Out: Feminist Performances. Ann Arbor, Michigan University Press, 1993.

RÓMAN, D. Acts of Intervention. Bloomington e Indianapolis, Indiana University Press, 1998.

SHAW, P. Menopausal Gentleman. Manuscrito não publicado.

STAROBINSKI, J. “The Style of Autobiography”. In: OLNEY, J. (ed.). Autobiography: Essays Theoretical and Critical. New Jersey, Princeton University Press, 1972.

STILES, K. “Uncorrupted Joy: International Art Actions”. In: SCHIMMEL, P. Out of Actions. Nova York, Thames and Hudson, 1998.

Downloads

Publicado

2001-09-26

Edição

Seção

PERFORMANCE

Como Citar

Bernstein, A. (2001). A performance solo e o sujeito autobiográfico. Sala Preta, 1, 91-103. https://doi.org/10.11606/issn.2238-3867.v1i0p91-103