O cinema e a imagem verdadeira

Authors

  • Marina Soler Jorge Universidade Federal de São Paulo (Unifesp)

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2013.80658

Keywords:

Ontology, André Bazin, Cinematographic realism, Christianity.

Abstract

This paper intends to analyze the ontological question at the cinema as theorized by André Bazin from new researches in Art History developed by Hans Belting. With the writings of this author, we will see that the belief in the cinematographic image surpasses the technical support and its mechanical genesis, as stated by Bazin, and has its origins in the Christian culture that diffuses the belief in the image as a proof of the Savior existence. Therefore, it is established an identification among material support, representation and reality that will echoes in the cinema.

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Author Biography

  • Marina Soler Jorge, Universidade Federal de São Paulo (Unifesp)
    Professora de Sociologia da Arte do Departamento de História da Arte da Escola de Filosofia, Letras e Ciências Humanas da Universidade Federal de São Paulo (Unifesp). É autora dos livros Cultura popular no cinema brasileiro dos anos 90 (São Paulo: Editora Arte & Cultura, 2009) e Lula no documentário brasileiro (Campinas: Editora da Unicamp, 2011).

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Published

2013-12-30

Issue

Vol. 11 No. 22 (2013)

Section

Multimedia

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How to Cite

O cinema e a imagem verdadeira. (2013). ARS, 11(22), 99-120. https://doi.org/10.11606/issn.2178-0447.ars.2013.80658