Paisagem, graça e sentimento do belo: Winckelmann, Chateaubriand e Girodet

Authors

  • Guilherme Simões Gomes Júnior Universidade de São Paulo

DOI:

https://doi.org/10.11606/issn.2178-0447.ars.2014.82834

Keywords:

Landscape, Grace, Feeling of the beautiful, Neoclassicism, Romanticism

Abstract

The article is about the uncertain frontiers between the neoclassic and the romantic regarding landscape, grace and the feeling of the beautiful. It doesn´t intend to deny the headings, which make sense until nowadays, but shows how much a lot was scrambled. Regarding the reflexion and practice of landscape art, the difference is clear; but the German historian Winckelmann, main figure in the neoclassical canon, surprises, when showing the possibility of rupture with the academic normativeness of frankly objective character, subordinating the beautiful to a reached-by-few operation of subjective character concerning the gracefulness/beauty and the feeling of the beautiful, what partly justifies his warm welcome among exponents of romanticism as Chateaubriand and Girodet.

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Author Biography

  • Guilherme Simões Gomes Júnior, Universidade de São Paulo

    Doutor em História Social (1996) e livre-docente em
    Sociologia da Cultura (2003) pela Universidade de São Paulo. É professor do Departamento de Antropologia e do Programa de Estudos Pós-Graduados (PEPG) em Ciências Sociais da PUC-SP. 

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Published

2014-06-30

Issue

Vol. 12 No. 23 (2014)

Section

Multimedia

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How to Cite

Paisagem, graça e sentimento do belo: Winckelmann, Chateaubriand e Girodet. (2014). ARS, 12(23), 79-101. https://doi.org/10.11606/issn.2178-0447.ars.2014.82834