Umberto Baldini, Ornella Casazza and Alessandro Conti: The Artwork and its Existence Through Time
DOI:
https://doi.org/10.11606/issn.2178-0447.ars.2021.178353Keywords:
Art History, Restoration, RetouchingAbstract
The present article intends to introduce Umberto Baldini’s and Ornella Casazza’s theory of conservation-restoration through their questions regarding the existence of the work of art through time, their secular-historical reality, and how to not suppress them in the restoration process, maintaining its archaeological aspects visible to the public. At the same time, the article intends to introduce the intellectual work of the art historian Alessandro Conti and his contribution to a new History of Art, based on the survival of the works of art (their conservation, destruction or physical changes), henceforth proposing an interdisciplinary dialogue between the areas to better understand the potential of recognizing the archeological dimension of the objects, also contextualizing the discussion on the Brazilian scenario.
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References
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