Dialogues of recreation between literature and cinema: the Eréndidas of the verb and the image in motion
DOI:
https://doi.org/10.11606/issn.2317-9651.v0i19p860-883Keywords:
Gabriel García Márquez, Ruy Guerra, Cinema, Literature, IntermidialityAbstract
The main object of study assumed in this paper are the media and semiotic dialogues of the relationship literature-cinema having cultural contexts as background. From multiple factors and study models which include cinema, the aim is to analyze the movement of the creative process between the works La increíble y triste historia de la candida Eréndira y su abuela desalmada (1972) by García Márquez and the film Eréndira (1983) by Ruy Guerra. In addition to looking after a relationship of analysis in which the film is only based on the story, it is sought to think how the cultural contexts of the artists and the potential representatives of the media resignify readings that are materialized by creating an interpenetration of the artistic discourses. Therefore, this paper strives to present cross-readings that make it possible to understand treatments of cultural issues in the story from the point of view of cinematographic resources and the same in reverse.
Downloads
References
Aumont, Jacques. A estética do filme. Tradução de: Marina Appenzeller – 9ª ed. Campinas, SP: Papirus,2012.
Bakhtin, Mikhail. A cultura popular na idade média e no renascimento: o contexto de François Rabelais. Tradução de: Yara Frateschi Vieira. São Paulo, Hucitec, 2013.
Bakhtin, Mikhail. Problemas da poética de Dostoiéski. Tradução de: Paulo Bezerra. 5ª ed. – Rio de Janeiro: Forense Universitária, 2013 [1929].
Barros, Eduardo Portanova. O cinema de Ruy Guerra: um imaginário autoral na pós-modernidade. Tese de Doutorado. Porto Alegre, RS: PUCRS, 2009.
Brait, Beth. Bakhtin, dialogismo e construção de sentido. – 2ª ed. rev. – Campinas, SP: Editora da Unicamp, 2005.
Dahlet, Patrick. Dialogização enunciativa e paisagens do sujeito. In: BRAIT, Beth. Bakhtin, dialogismo e construção de sentido. – 2ª ed. rev. – Campinas, SP: Editora da Unicamp, 2005.
Dostoiévski, Fior M. . Crime e castigo. São Paulo: Editora 34, 2001 [1866].
Deus e o diabo na terra do sol, d.: Glauber Rocha, p.: G. Rocha, Jarbas Barbosa, Luis Augusto Mendes. – Rio (Brasil) 1964
Eréndira, d.: Ruy Guerra, p.: Alain Quefféléan. Les Films de Triangles (França) 1983.
García Márquez, Gabriel. La increíble y triste historia de la cándida Eréndira y de su abuela desalmada. Barcelona: Debolsillo, 2014 [1972].
Guerra, Ruy. O cinema de Ruy Guerra: um imaginário autoral na pós-modernidade: entrevista. Porto Alegre: PUCRS. Entrevista concedida a Eduardo Portanova Barros, 2009.
Guerra, Ruy. 20 navios. Rio de Janeiro: Francisco Alves, 1996
Hutcheon, Linda. Uma teoria da adaptação. Tradução de: André Cechinel. 2ª ed. – Florianópolis: Ed. da UFSC, 2013.
Rama, Angel. A cidade das letras. Trad. Emir Sader. – 1ª ed. – São Paulo Boitempo, 2015.
Rocco, Alessandro. Gabriel García Márquez and the cinema: life and works. Woodbridge: Tamesis, 2014.
Sánchez Noriega, José Luis. De la literatura al cine. Teoría y análisis de la adaptación. Paidós: Barcelolna, 2000.
Sánchez Noriega, José Luis. Las adaptaciones literarias al cine: un debate permanente. In: Revista Comunicar, 2001. Disponível em: file:///C:/Users/Saulo/Desktop/Musicas/17-2001-09%20(1).pdf. Acesso em 15 dez, 2016.
Vargas Llosa, Mário (1971). Garcia Marquez: historia de undeicidio. Barcelona, Barral Editores, 1971.
Volóchinov, Valentin. Marxismo e filosofia da linguagem. Trad. Michel Lahud e Yara Frateschi. 13. ed. São Paulo: Hucitec, 2009.
Downloads
Published
Issue
Section
License
Copyright (c) 2020 Luis Eduardo Santos Pereira
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Authors who publish in this journal agree to the following terms:
- Authors retain copyright and grant the journal the right of first publication, with the work simultaneously licensed under a Creative Commons Attribution License, which permits the dissemination of the work with recognition of authorship and initial publication in this journal.
- Authors are allowed to enter into additional contracts separately for non-exclusive use of the version of the work published in this journal (such as publication in an institutional repository or as a book chapter), with recognition of authorship and initial publication in this journal.
- Authors are allowed and encouraged to publish and distribute their work online (e.g., in institutional repositories or on their personal page) at any point before or during the editorial process, as this can generate productive changes, as well as increasing the impact and citation of the published work (see The effect of open access…).
