Cosmocolours – a performance with films of Brazilian incorporations and a conversation with the spirit Preta Velha Vo Cirina
DOI:
https://doi.org/10.11606/issn.2525-3123.gis.2017.129204Keywords:
Performance, Umbanda, Florianopolis, Anthropology of Performance, SchizoanalysisAbstract
During the performance Cosmocouleurs (Cosmocolours), presented at the exhibition La Bête et l’Adversité (The Beast and Adversity), in Geneva in 2015, the French anthropologist Barbara Glowczewski proposed a visual experience, confronting her 1979 films of Australian rituals (Totemic Becomings, São Paulo, 2015 and Desert Dreamers, Minneapolis, 2016), with umbanda rituals that she filmed in Brazil, in 2013 and 2015. She invited Clarissa Alcantara – Brazilian performance artist, philosopher and also squizoanalytical therapist trained in Deleuze and Guattari studies– to create a performative dance, where images made during a session of Exu (with a recording of dances by the participants in a state of incorporation by Orixás and other entities) would be projected onto her, such as might be done onto an animated screen.. The film maker Sandra Alves filmed this part of the performance, a 6’ video Cosmocores here provided 3 . The second part of the text is a transcription of a conversation between the anthropologist and the spirit Vó Cirina (Grandma Cirina), an old Black woman (Preta Velha) incorporated in Abílio Noé da Silveira, the babalorixá of the Tenda Espírita Vó Cirina in Florianópolis (Brazil), who accepted the process of the Geneva performance.
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