The art ot cinema

Authors

  • Maria Ignês Carlos Magno

DOI:

https://doi.org/10.11606/issn.2316-9125.v0i25p112-116

Keywords:

cinema, cinematographic language, silent movies, spoken movies, art, surrealisrn

Abstract

The author proposes, for this edition's videography, a reflection on cinematographic language: how does cinema talk about itself, tell its own story and show itself as a language. for this, it emphasízes world cinema classics such as: Kid Auto Races at Venice and Behind the Screen, both by Charles Chaplin; Elias Kazan's The Last Tycoon; François Trufíaut's La Nuit Americaine, Luis Bufiel's CAge d'Oc Robert Wiene's The Cabinet of Dr: Caligari; and, finally, Fritz Lang's M. The vampire of Dússeldoff

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Published

2002-12-30

Issue

No. 25 (2002): Educação, máquinas e redes, Cinema, vídeo e televisão, Ensino e arte

Section

Videography

License

I authorize the publication of the submitted article and soon the copyrights to the magazine, in the printed and electronic version, if it is approved after the evaluation of the reviewers.

I understand that readers may use this article without prior request, provided the source and authorship are mentioned. Readers are not authorized to use this article for reproduction, in whole or in part, for commercial purposes.

How to Cite

Magno, M. I. C. (2002). The art ot cinema. Comunicação & Educação, 25, 112-116. https://doi.org/10.11606/issn.2316-9125.v0i25p112-116