All people have history. Every cinema tells a story
DOI:
https://doi.org/10.11606/issn.2316-9125.v27i1p195-202Keywords:
Iranian cinema, Fictional narrative, History, Geography, Hana MakhmalbafAbstract
And Buddha collapsed in shame, is the title of the film chosen for this review. Direct by Hana Makhmalbaf and based on the book Buda az Sharm Foru Rkht, of Moshen Makhmalbaf, the film tells the story of Baktay, a six-year-old girl of Afghan origin, belonging to the Hazara ethnic group living in the city of Bamyan, where the standing Buddhas’ sculptural ensemble was destroyed by the Taliban in 2001. Given that one the proposals to review is the study the relations between communicatios and education, I propose to conduct a study of the film in order to understand how the cinema shows the fictional narrative and the aspects of history, geography, ethnicity and cinema itself.
Downloads
References
E BUDA desabou de vergonha. Direção de Hana Makhmalbaf. Londres: Makhmalbaf Film House; Paris: Wild Bunch, 2007. Online (81 min). GOMES, Paulo Cesar da Costa. O lugar do olhar: elementos para uma geografia da visibilidade. Rio de Janeiro: Bertrand Brasil, 2013.
Downloads
Published
Issue
Section
License
Copyright (c) 2022 Maria Ignes Carlos Magno
This work is licensed under a Creative Commons Attribution 4.0 International License.
I authorize the publication of the submitted article and soon the copyrights to the magazine, in the printed and electronic version, if it is approved after the evaluation of the reviewers.
I understand that readers may use this article without prior request, provided the source and authorship are mentioned. Readers are not authorized to use this article for reproduction, in whole or in part, for commercial purposes.
