Mr. Hulot and the desconstruction of automobile mithology: an analysis of Trafic, by Jacques Tati

Authors

  • Vander Casaqui

DOI:

https://doi.org/10.11606/issn.2316-9125.v15i1p93-102

Keywords:

communication and consumption, cinema, automobile, work.

Abstract

This paper provides a film analysis of Trafic, by Jacques Tati (1971), discussing issues of consumption, the world of work
and the intricate relations among people and goods in contemporary context. The theoretical framework is based on the
studies of Roland Barthes and Jean Baudrillard, among other authors that examine symbolic processes involving goods, from
the productive sphere to sociocultural scenarios that cover their consumption by people.

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Author Biography

  • Vander Casaqui
    Doutor em Ciências da Comunicação pela ECA/USP.
    Professor do Programa de Mestrado em Comunicação e Práticas de Consumo da ESPM‑SP

Published

2010-04-30

How to Cite

Casaqui, V. (2010). Mr. Hulot and the desconstruction of automobile mithology: an analysis of Trafic, by Jacques Tati. Comunicação & Educação, 15(1), 93-102. https://doi.org/10.11606/issn.2316-9125.v15i1p93-102