Mr. Hulot and the desconstruction of automobile mithology: an analysis of Trafic, by Jacques Tati
DOI:
https://doi.org/10.11606/issn.2316-9125.v15i1p93-102Keywords:
communication and consumption, cinema, automobile, work.Abstract
This paper provides a film analysis of Trafic, by Jacques Tati (1971), discussing issues of consumption, the world of workand the intricate relations among people and goods in contemporary context. The theoretical framework is based on the
studies of Roland Barthes and Jean Baudrillard, among other authors that examine symbolic processes involving goods, from
the productive sphere to sociocultural scenarios that cover their consumption by people.
Downloads
Downloads
Published
Issue
Section
License
I authorize the publication of the submitted article and soon the copyrights to the magazine, in the printed and electronic version, if it is approved after the evaluation of the reviewers.
I understand that readers may use this article without prior request, provided the source and authorship are mentioned. Readers are not authorized to use this article for reproduction, in whole or in part, for commercial purposes.